The Sergio Rodrigues Institute took part in the Rio Design Week, from November 5 to 9, 2014, at the Rio de Janeiro Jockey Club, presenting the collection organization project.
Nov 2014
Sergio Rodrigues in Ipanema
The Arquivo Contemporâneo store participates in the 2014 Rio Design Week – from November 5 to 8 – with a great tribute to Sergio Rodrigues (1927-2014) in Ipanema. Created by Fernando Mendes, the new display window reproduces the famous studio of Petrópolis where the master worked for ten years. Highlights are his first and latest […]
Nov 2014
MADE Trade Show in São Paulo
From November 5 to 9, the MADE – Market, Art, Design Trade Show – occupies the São Paulo Jockey Club with exhibitions, lectures, and workshops. Sergio Rodrigues’ creations are there, at the gallery of the São Paulo Dpot store. The exhibition of the great master of Brazilian design is based on two fundamentals: His first […]
Sep 2014
“Mocho” stool special edition
To celebrate the 60 years of the creation of the iconic “Mocho” stool, Lin Brasil launched a deluxe edition of the stool in October 2014. There are 60 pieces made out of the Cabreúva wood, with a linseed oil finish and built pursuant to the highest standards of traditional joinery. Part of the sales’ proceeds […]
Sep 2014
New Benjamin armchair
The jeweler Antonio Bernardo, in partnership with the Instituto Sergio Rodrigues created the silver seal SIX DECADES OF DESIGN that marks the launch of the first 60 pieces of the chair Benjamin, latest creation by Sergio Rodrigues in 2014, manufactured by Atelier Fernando Mendes. Exclusively in this production, the furniture can be produced in Peroba […]
Sep 2014
Dpot pays tribute to the master
The São Paulo Dpot store pays tribute to Sergio Rodrigues with a retrospective of his creations. Curated by Baba Vacaro, the exhibition features a timeline of the major events in the master’s life, some of his most significant pieces, and even fragments of furniture, his clippings and his fittings, all illustrating the designer’s constructive thinking. […]
