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In this 2025 edition of SP ARTE, the Sergio Rodrigues Institute inaugurates a space designed and dedicated to the commemorative journey of the architect-designer's Centennial. Image: Isabela Leles

In this 2025 edition of SP ARTE, the Sergio Rodrigues Institute inaugurates a space designed and dedicated to the commemorative journey of the architect-designer's Centennial. Image: Isabela Leles

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition "Individual prefabricated house" held at MAM Rio in 1960.

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition "Individual prefabricated house" held at MAM Rio in 1960.

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition "Individual prefabricated house" held at MAM Rio in 1960.

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition "Individual prefabricated house" held at MAM Rio in 1960.

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition

Instituto Sergio Rodrigues gathers articles and chronicles by the master in magazines from the 1950s and 1960s: The bilingual publication reveals a little-known facet of Sergio Rodrigues, that of a writer, also addressing his creations as an architect. Critics, notes and comments are by Afonso Luz. The book also presents the facsimile of the catalog of the exhibition "Individual prefabricated house" held at MAM Rio in 1960.

BIOGRAFIA

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Brazil at the tip of the pencil

Plowing of the land: a quick

A tragedy with deep scars

Airplanes and race cars, an

A world made of games and inventions

The scare with illness and the grandmother's wish

Something beyond architecture

The first store in Curitiba

Forma - the shortcut to his own business

Oca, a revolutionary shop

The Taba to host the Oca

Furniture as an Object of Art

Sergio quebrou paradigmas ao inventar uma linguagem própria em busca da identidade brasileira.

ACERVO

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creation

history

life

PROJETOS

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Sergio Rodrigues Collection - Handred

The Rio-based clothing brand Handred, in partnership with the Sergio Rodrigues Institute

Sergio Rodrigues Collection - Handred

Exhibition at MoMA: Crafting Modernity: Design in Latin America, 1940–1980

Organized by Ana Elena Mallet, guest curator, and Amanda Forment, Curatorial Assistant of the Department of Architecture and Design at the Museum of Modern Art in New York. The exhibition runs until September 22, 2024.

Exhibition at MoMA: Crafting Modernity: Design in Latin America, 1940–1980

NOTÍCIAS

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Dorina Nowill Foundation and Sergio Rodrigues Institute

Instituto Sergio Rodrigues na SP ARTE 2025

The Sergio Rodrigues Institute (Rio de Janeiro, since 2012) is a non-profit organization aimed at preserving the collection of the master and making his entire body of work available to the general public, as well as promoting and encouraging knowledge and dialogue about Brazilian architecture and design in contemporary times. In this 2025 edition of […]

Exhibition at MoMA: Crafting Modernity: Design na América Latina, 1940–1980

Organized by Ana Elena Mallet, guest curator, and Amanda Forment, Assistant Curator of the Department of Architecture and Design at the Museum of Modern Art in New York, the exhibition presents the sometimes conflicting visions of modernity proposed by designers of domestic environments in Argentina, Brazil, Chile, Colombia, Mexico, and Venezuela between 1940 and 1980. […]

The Sergio Rodrigues Handred Collection

The Rio-based clothing brand Handred, in partnership with the Sergio Rodrigues Institute, has developed a collection featuring previously unseen designs from the Sergio Rodrigues Institute’s collection. These designs have been reinterpreted by hand, with a focus on embroidery and prints on pieces made of silk, linen, and organza. The project also includes a mini-documentary about […]

Partnership between the Museum of Brazilian Home and the Sergio Rodrigues Institute.

The Museum of the Brazilian Home and the Sergio Rodrigues Institute celebrate their partnership with the exhibition panel featuring the “Chifruda” armchair, including the specimen of the armchair that will be donated to the MCB Collection, manufactured through a process that uses hand tools and traditional techniques of artisanal carpentry, with Muiracatiara wood and natural […]

Participation of Adriana Rodrigues in course about Sergio Rodrigues at PUC-Rio

html> The course given by members of the Institute, its president, Fernando Mendes, and its researcher, Dimitri Buriti, had the presence of Adriana Rodrigues at its first meeting on the family origins and influences on Sergio’s career.